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Choreographic History
2007
- SeaUnSea ENTER_UNKNOWN TERRITORIES International Festival & Conference for New Technology Art 25-29 April 2007 Cambridge (UK)
The festival’s three main activities - public art events, workshops and conference - will address, explore, and question the possibilities of making and experiencing new technology arts.
For more information http://www.enternet.org.uk
- GLOW
As part of the award-winning Radiance project The Lightbox - Woking’s long-awaited new museum and gallery – and Woking Dance Festival commissioned GLOW, a multi-media event fusing light, movement, video, music and vocals.
GLOW was choreographed by Carol Brown with original music written and directed by Russell Scoones and Planet People.
With a cast spanning a spectrum of ages, GLOW brought together a dynamic group of over 30 dancers and musicians - both professional and from the local community - to deliver a radiant collaborative spectacle. Performers included: dancers from Carol Brown Dances and StopGAP; Woking College Singers; and musicians from Planet People. Featuring original costumes by fashion designer, Davina Hawthorne, designed and created in collaboration with members of the local community.
This site specific work offered audiences a unique experience of the new canalside gallery. As they journeyed from the gardens to the interior they encountered the unfolding of body stories inspired by the architecture, site and histories of Woking.
Tue 3 & Wed 4 April at 2pm & 7pm 2007 The Lightbox, Woking
For more information www.wokingdancefestival.co.uk

Radiance 2
In 2007 Carol Brown Dances worked with Woking Dance Festival and Lightbox, Woking to create an event which marked the opening of the new art gallery designed by Marks Barfield Architects. A large scale site specific performance wais under development and the project incorporated performers from Stop Gap Dance Company, musicians from Yehudi Menuhin School and Planet People as well as a number of community performers who were selected through workshops.
2006

Aarero Stone
-
Aarero Stone: Two Solos in a Performance Landscape is an enduring lament for the living inscribed with love. How do we care for the strangely familiar and mourn the distant dead? Tongues of Stone is hard talk, and the stone tongue is the speaking landscape. Colin McMahon referred to New Zealand as “a landscape with too few lovers”. How do we recover romance in such a place? Wellington, New Zealand, Saturday 4 - Wednesday 8 March 2006
Soundings Theatre, Te Papa Tongarewa Museum of New Zealand
A New Zealand International Arts Festival Commission
-
AID Les Archives Internationale de la Danse 1931-51 Research Conference. Centre National de la Danse, Paris, 1 April, 3.30pm. Migration and Memory: the Embodied Legacies of Gertrud Bodenwieser. Performance Lecture by Carol Brown.
- London Architectural Biennale. 18 June, 3pm, Siobhan Davies Studios, London. Dance and Architecture Under the Ribboned Roof Performance Talk, dancing-drawing, towards a dance-architecture by Carol Brown and Mette Ramsgard Thomsen
- Deep and Beneath Dance Installation. HUB Roundhouse Studios, Chalk Farm Road, London, 21 – 24 September 6.30-8pm. www.roundhouse.org
- SeaUnSea, World Premiere, Dance Umbrella, Thu 12 and Fri 13 October, 8pm Sat 14 October, 3pm, 5.30pm & 8pm,Sunday 15 October, 3pm & 5.30pm Siobhan Davies Studios, 85 St George’s Rd, London. Dance Umbrella. Ticket Line: 0870 730 1407.
About the Work:
“What we see on the screens is a mass of multiplying shapes and forms, like ink on blotting paper, constantly spreading, disappearing, then growing all over again. When the dancers, Marina Collard, Anna Williams and Matthew Smith enter the performing space, the visual imagery, the colored shapes which begin to take on the appearance of a living organism, tracks their movement; so it appears to follow the performers as they dance, reacting to their changes of direction and tempo, continuously metamorphosing into new shapes and forms…. The effect … is highly emotive and even visceral…. Thomsen's patterns resemble growing organisms, swarming insects, unfurling blossoms, rapidly spreading coral reefs.... Images from nature and the restless, timeless sea….The organic (the live movement) and the toxic (the images generated by Thomsen's computer) share this environment in which nothing is fixed and everything is unstable. The different colors which appear on the screens are enhanced by Michael Mannion's lighting design, while an oceanic sound-score by Alistair MacDonald helps create a sense of shifting emotional states -- love, grieving, anger, yearning and provocative memories.”
Josephine Leask, Flash Journal, 11-3: Carol Brown Rides the Tech Wave http://www.danceinsider.com/f2006/f1103_2.html

SeaUnSea
2005
Her Topia
A a Dance Architecture Event for The Isadora and Raymond Duncan Centre
for Dance Research
Kopanos, Athens, Greece, 7-8 October 2005
 Topos
TOPOS
Illuminated memories on a bare stage. For White Christmas extracts from
the site specific performance,TOPOS are re-sited in the Robin Howard Theatre,
London.
Robin Howard Theatre, The Place, Dukes Road, London, 8 December,
2005, 8pm.
Crossings
A showing of the first stage of development for Sea, Unsea as part of
Digital Cultures.
Saturday 3 December, Sandfield Theatre, Nottingham
Sandfield Road, Nottingham NG7 1QN
For box office information, registration and performance details call:
Digital Cultures Lab: Johannes Birringer Live Art/Digital Research NTU,
Victoria Studios, Shakespeare St, Nottingham NG1 4BQ: +44 (0) 115 848
2282
http://www.digitalcultures.org/exhibits.html
.
2004
The Changing
Room
The Changing Room is a real time interactive performance event intertwining
the digital and the visceral in a sublime trio. In their changing room,
three women leave behind the territory they know for another place, beyond
what they know. A mirror becomes a screen for their mutations, a curtain
a technological frontier and their table a platform for the puppetry of
the virtual. Through a series of changing viewpoints the audience is lead
to encounter the epic within the everyday, as a haunting virtual presence
extends, mirrors and distorts the performer's behaviour. Animating the
threshold between the virtual and the real, The Changing Room is an intimate
exploration of our digital evolution. Designed for both live art and theatre
spaces, The Changing Room encourages the shifting viewpoints of a mobile
audience.
World Premiere
4-5 June 2004, Ludvig Forum, Aachen, Germany
UK Premiere
4-6 November 2004, Dance Umbrella, GDA, London
Read reviews of The Changing Room by

top
Electric
Fur
In Electric Fur we have worked with a perspectiveless void
to create a series of deep surfaces animated by waves of sensation and
memory. Two bodies are infected by shifting states of energy.
choreographer Carol Brown
videographer Abigail Norris
photographer Mattias Ek
sound artist Jerome Soudan [Mimetic]
screen designer and maker Ed King
dancers Jo Fong and Catherine Gardner
Created through an Arts Council of England Capture Award.
Electric Fur is part of the Capture Installations Tour 2004/05
www.portlandgreen.com/captureinstallations/
World Premiere
10-14 December 2002, Monaco Dance Forum, Grimaldi Forum
UK Premiere
Tuesday 17th December 2002, The Place, London
Photos by Mattias Ek.

.
2004
- The Changing Room
An intimate performance event combining real and virtual spaces created
by Carol Brown in collaboration with Mette Ramsgard Thomsen. Three women
inhabit a room within which a haunting virtual presence mirrors, distorts
and extends their behaviour. Innovative performance technology at the
edge of the real.
Ludvig Forum, Aachen, Germany 4-5 June 2004
Dance Umbrella, Greenwich Dance Agency 4-6 November 2004
- ROOM
A remix of The Changing Room, for the Royal Opera House's Clore Studio
Upstairs as part of Snagged and Clored season 29-30 July 2004. www.snagproject.com
- The Changing
Room
Work in progress. Michaelis Theatre, University of Surrey Roehampton.
April 28 2004.
- between two/zwischen zwei
between two/zwischen zwei is an homage to the early work of Gertrud
Bodenwieser within a musical landscape by Gustav Mahler. Choreography
by Carol Brown. Performed by Delphine Gaborit and Leon Baugh of Mano
Creates. With Lighting and Video Design by James Leadbitter. Performed
at Bonnie Bird Theatre, Laban, London 5-6 February 2004
- Electric Fur
A screen based installation. Exhibited at tanzmedial: Installationen,
Fotografien, Filme. SK Stiftung Kultur, Köln, Germany 9 December
2003 - 1 February 2004; British Council Platform 1, Contemporary Art
Gallery, Vilnius, Lithuania, May 2004.
- Crevice
Beyond wreckage, two women find themselves in a surreal landscape of
competing desires - a Crevice - where things both float and fall, toward
an illusion of progress. Created in Germany and Philadelphia, Crevice
is a collaboration between Carol Brown and dance-artists, Niki Cousineau
and Gin MacCallum. With music by Jorge Cousineau and Mattias Petzold,
and film shot by Alan Mehlbrech. Performed at Dance Boom, Wilma Theatre,
Philadelphia 24 January-8 February 2004
2002 - 2003
- Spawn
spawn is a performance event that comprises solo, duet and trio dances.
Incorporating live and virtual spaces it takes place within the framework
of an interactive architectural environment.
- Crazy Beat
The alternative video for Blur's single, Crazy Beat, directed by John
Hardwick and choreographed by Carol Brown.
- My Sweet Animalia
for EDge - The Postgraduate Performance Group of London Contemporary
Dance School UK, Denmark and Portugal Tour March-May 2003.
- Maybe
A duet for a man and a woman swallowed by space, for Bare Bones, Birmingham
Dance Exchange, Birmingham.
National Tour March 2003- January 2004
Danced by Vicky Manderson and Leon Baugh
Original Music by Russell Scoones

2001
- Machine
for Living
The scheduled performance at Birmingham DanceXchange was postponed due
to late completion of the venue's renovation. The premiere was given
as part of Dance Umbrella, London on 8 November 2001.

Machine for Living
- Frozen White
Carol took part in Choreodrome at The Place, collaborating with Stan
Wiljacs to create a music and dance exploration of comatose states,
which was performed in a small sharing at The Place on 13 July 2001.
- Sleeping in Public
A short solo centred on spoken text with a projected data stream of
architectural fragments within the city of London. Premiered as part
of the Wandsworth Dance Festival at Battersea Arts Centre on 18 November
2001. Now available for touring as part of a solo programme or as a
short performance to be included in a mixed evening of work.
- Strata, Sprawl and the video dance, The
Idea of Sea commissioned by Group Motion Dance Company, Philadelphia,
Premiered Arts Bank, 31 May 2001.
2000
- Machine
For Living
Performance Installation. Supported by London Arts Board, South East
Arts. Premier Corn Exchange, Brighton.
- Nerve
Performance Installation. Supported by the Jerwood Choreographic Awards.
Work in process showing at The Jerwood Space, London.
- The View From Here. Commissioned by Group Motion Dance
Company. Premiered Art Space, Philadelphia, US.
- The
Lift
Dance film commissioned by BBC 2
1999
- Like A House On Fire
Supported by grants from London Arts Board and through a residency at
The Place Theatre. Premiered at Spring Loaded.
- Short Cut
A site specific performance at Global Image, Newcastle. A Northern Dance
International Dance Festival Commission.
- My Sweet Animalia
Commissioned by National School for Contemporary Dance. Copenhagen,
Denmark.
1998
- Shelf
Life
A performance installation by Carol Brown and digital artist, Esther
Rolinson. Commissioned by South East Dance Agency. Art Gallery Tour.
- The Glory Box
Commissioned by Scottish Dance Theatre. Scottish Arts Council funded
tour of UK.
- Stripper Stories
Up Close Season. Commissioned by Chisenhale Dance Space and the Spitz.
Spitalfields, London.
1997
- Ocean Skin
The Place Theatre. Research and Development Funded by University of
Surrey.
- flesh.txt
Commissioned by South East Dance Agency. Brighton International Festival.
- The Natural History Programme
Commissioned by Foreign Bodies Dance Theatre, Northampton.
1996
- Eve's Tattoo
Body Matters, University of Auckland; University of Surrey; Spring Loaded,
The Place Theatre; DanceXchange, Birmingham
- blood/milk/ink
Commissioned by Department of Dance Studies, University of Surrey. Woking
Spring Into Dance Festival
- The Mechanics of Fluids
Melkveg Dance Festival, Amsterdam.
1994-1995
- The Mechanics of Fluids
Lilian Baylis Theatre, London.
- Passion Machine
Beckenham Studio, London.
- The Anatomy of Reason
Lillian Baylis Theatre, London. The Place Theatre. Rhythm Method, Purcell
Room.
- The Mechanics of Fluids
Creative New Zealand Funded Tour of New Zealand.
1993
- Bloodsongs
University of Surrey; Riverhouse Barn, Walton-on-Thames; South Hill
Park; Bishop Otter College, Chichester. South East Arts Funded Tour.
1992
- Dancing Through The Wild Zone
University of Surrey, Guildford.
- She Who Laughs Last
The Studio, London.
1991
- What the Body Remembers
QEII Arts Council of New Zealand Funded. Dunedin and Oamaru, New Zealand.
- Heroics
Commissioned by Suzanne Renner, QE II Arts Council of New Zealand. Dunedin,
Auckland and Bulls, New Zealand.
1990
- Making a Woman
Dunedin Dance Theatre. Dunedin, New Zealand.
- Intimate Equations
Commissioned by Dance=Arts. Dunedin, New Zealand.
- Manuhiri - The Visitors
Choreographed and Performed with Bronwyn Judge. South Island Tour (1990),
North Island Tour (1991), New Zealand. QE II Arts Council Funded.
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Projects | Future
Projects | Choreographic
History
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Brown Writes |
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Us | Home
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